How had Mrs. Gereth known in advance that if she had chosen to be "vile" (that was what Fleda called it) everything would happen to help her?—especially the way her poor father, after breakfast, doddered off to his club, showing seventy when he was really fifty-seven, and leaving her richly alone for the day. He came back about midnight, looking at her very hard and not risking long words—only making her feel by inimitable touches that the presence of his family compelled him to alter all his hours. She had in their common sitting-room the company of the objects he was fond of saying that he had collected—objects, shabby and battered, of a sort that appealed little to his daughter: old brandy-flasks and match-boxes, old calendars and hand-books, intermixed with an assortment of pen-wipers and ash-trays, a harvest he had gathered in from penny bazaars. He was blandly unconscious of that side of Fleda's nature which had endeared her to Mrs. Gereth, and she had often heard him wish to goodness there was something striking she cared for. Why didn't she try collecting something?—it didn't matter what. She would find it gave an interest to life, and there was no end of little curiosities one could easily pick up. He was conscious of having a taste for fine things which his children had unfortunately not inherited. This indicated the limits of their acquaintance with him—limits which, as Fleda was now sharply aware, could only leave him to wonder what the mischief she was there for. As she herself echoed this question to the letter she was not in a position to clear up the mystery. She couldn't have given a name to her errand in town or explained it save by saying that she had had to get away from Ricks. It was intensely provisional, but what was to come next? Nothing could come next but a deeper anxiety. She had neither a home nor an outlook—nothing in all the wide world but a feeling of suspense. "I haven't the least idea," said the girl.!

"But what to do?" "It has lasted long enough for my purpose. There was something I wanted to know, but I think I know it now."

"No, it hadn't arrived. I came up for the night—I've several matters to attend to." Then looking with an intention of fixedness from one of her companions to the other, "I'm afraid I've interrupted your conversation," Mrs. Brigstock said. She spoke without effectual point, had the air of merely announcing the fact. Fleda had not yet been confronted with the question of the sort of person Mrs. Brigstock was; she had only been confronted with the question of the sort of person Mrs. Gereth scorned her for being. She was really, somehow, no sort of person at all, and it came home to Fleda that if Mrs. Gereth could see her at this moment she would scorn her more than ever. She had a face of which it was impossible to say anything but that it was pink, and a mind that it would be possible to describe only if one had been able to mark it in a similar fashion. As nature had made this organ neither green nor blue nor yellow, there was nothing to know it by: it strayed and bleated like an unbranded sheep. Fleda felt for it at this moment much of the kindness of compassion, since Mrs. Brigstock had brought it with her to do something for her that she regarded as delicate. Fleda was quite prepared to help it to perform, if she should be able to gather what it wanted to do. What she gathered, however, more and more, was that it wanted to do something different from what it had wanted to do in leaving Waterbath. There was still nothing to enlighten her more specifically in the way her visitor continued: "You must be very much taken up. I believe you quite espouse his dreadful quarrel." Fleda, downstairs, learned soon enough what this was. It was simply that, as he announced the moment he stood before her, he was now all right. When she asked him what he meant by that state he replied that he meant he could practically regard himself henceforth as a free man: he had had at West Kensington, as soon as they got into the street, such a horrid scene with Mrs. Brigstock. "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"